Scholarship of Making

Where theory is tested in practice, and practice thinks back.

An 8-month interdisciplinary studio and research program that explores how knowledge is made and remade through studio work, fieldwork, and critical theory.

What is Scholarshipof Making?

Scholarship of Making is a multi-sited, practice-led scholars program that sits at the intersection of theory, fieldwork, and material experimentation. It asks how land, bodies, materials, and communities shape the knowledges we produce and how we might resist inherited, Western-centric ways of seeing and describing the world.

The program invites participants to question conventional academic frameworks, attend to local forms of knowing and being, use "making" as a method of research, critique, and care.

Open Prospectus
How Does It Work?
Workshops & Labs

A series of intensive courses on belonging and resistance, land, knowledge production, making, and archiving land as a living record.

Thinking Sessions & Readings

Curated texts, discussions, and debates that unsettle familiar categories and open up new methods of inquiry.

Fieldwork with Communities

A ten-day, on-ground engagement where scholars work alongside local communities and landscapes, treating land as both site and collaborator.

Independent Project Development

Guided time to develop your own research-through-making project, supported by tutorials and studio feedback.

Public Outcomes

The year culminates in a curated exhibition, a publication featuring scholars' research, and a public roundtable.

Who is behind this?

Scholarship of Making is designed and led by Laajverd Research and Design Unit, an independent initiative working at the intersection of art, architecture, geography, and environmental justice.

FH
Fatima Hussain

Artist-Curator & Academic Researcher

Fatima's work examines how geographies and power shape creative practice in postcolonial contexts.

ZH
Dr. Zahra Hussain

Architect & Human Geographer

Zahra's research engages landscapes in transition, from rapid development to climate change.

Each year, they are joined by a changing faculty of practitioners such as farmers, policy-makers, designers, scholars, and activists, who teach from where they stand: in fields, courts, studios, archives, and communities.

What to Expect

Over eight months, you can expect to:

Rethink your tools

Expand your practice beyond its disciplinary comfort zone—whether you come from art, architecture, anthropology, environmental studies, or another field.

Work with and alongside communities

Learn to design and conduct fieldwork that is ethically grounded, collaboratively shaped, and attentive to local knowledges.

Develop a rigorous, situated project

Leave with a clearly articulated research or practice-based project, documented through writing, visuals, and public presentation—useful for future PhD applications, grant proposals, or long-term artistic/research trajectories.

Join an ongoing network

Become part of a growing cohort of practitioners who are rethinking how knowledge is made in and from the global South.

Who is this for?

For artists, architects, anthropologists, agro-ecologists, geologists, historians, farmers, environmentalists, designers, textile engineers, and others who want to think and work across disciplines and beyond traditional academic or professional boundaries.